Books, Catalogues & Scholarship

• Art Between Matter and Code: Bridging Classical Art and Digital Frontiers, Gianpiero Moioli, Apress and Springer, 2026, p. 515
• Shimmer: Artists Dream a Posthuman World, Being Enchanted in the Disconcerting Wonderland of Art and Technology, Charlotte Kent, pp. 63-78, eds. Mark W. Scala and Nora N. Khan, MIT Press, 2026, ISBN 978-0-262-05451-5
• Shimmer: Artists Dream a Posthuman World, Antecedent Technologies in the World of Shimmer, Amelia Winger-Bearskin, pp. 79-90, eds. Mark W. Scala and Nora N. Khan, MIT Press, 2026, ISBN 978-0-262-05451-5
• Afterimage, Material Engagements and Virtual Interventions: Infrastructural Solidarity at the Borderline, Ila Sheren, University of California Press, vol. 53, no. 2, June 2026, pp. 64-81
• Inploration: Art Exploring Space to Understand Earth, interview and works reproduced, eds. Lawrence Azerrad and Richelle Ellis, DelMonico Books, 2026 (forthcoming)
• October 191, Six Propositions After Trump’s Second Victory, David Joselit and Pamela M. Lee, MIT Press, Winter 2025, pp. 3–14
• Spectacle Earth: Media for Planetary Change, Andrew Kalaidjian, University of Virginia Press, 2025, pp. 39 and 162-163
• Artificial Humanities: A Fictional Perspective on Language in AI, Nina Begus, University of Michigan Press, 2025
• BRAC: Barcelona, Research, Art, Creation, Transformation of the Exhibition Space in the Digital Age: A Case Study on Museum Adaptation to New-Generation Art, Antonio Labella Martinez and Manuela Garcia Lirio, Universidad de Jaen, vol. 13, no. 3, 2025, pp. 1-18
• Walking with AI: Speculative Walking as Artistic Practice, Everdien Breken, Steven Devleminck and Sandy Claes, KU Leuven and LUCA School of Arts, in ISEA 2025: International Symposium on Electronic Art
• Lessons from AR Memorialization: Artists’ and Activists’ Approaches to Responsible AR Development, Ana Maria Cardenas Gasca, Payton Croskey, Kai M. Thaler, Tobias Hollerer, Emilia Yang and Jennifer Jacobs, in DIS ’25: ACM Designing Interactive Systems Conference, Funchal, Portugal, 5-9 July 2025
• GeoHumanities, Why Is There a Huge Pig in Canary Wharf? The Story of SOW, Ekaterina Gladkova and Naho Matsuda, Taylor & Francis, vol. 11, no. 1, 2025, pp. 168-187
• A Framework for Analyzing XR Media Art through Impossible Spaces and Interaction Structures, Jaeyeon Shin, Dagyeom Chung, Sun Ah Bae and Seung Hyun Cha, Korea Advanced Institute of Science and Technology, in ARTECH 2025: 12th International Conference on Digital and Interactive Arts, Braga, Portugal, 26-28 November 2025, ACM
• Arts Management: Insights, Perceptions & Narratives, Reimagining Sound Art with Immersive Technology, Matthew Watts, eds. David Forrest and Robin Bold, Australian Scholarly Publishing with RMIT University, 2024, p. 281
• The Gamification of Augmented Reality Art, Patrick Lichty, in Augmented Reality Games II: The Gamification of Education, Medicine and Art, 2nd ed., ed. Vladimir Geroimenko, Springer, 2024, pp. 269-288
• Digital Art, Christiane Paul, 4th ed., Thames & Hudson, World of Art, 2023, pp. 132-135
• Columbia Journal of Law & the Arts, GM! Time to Wake Up and Address Copyright and Other Legal Issues Impacting Visual Art NFTs, Megan E. Noh, Sarah C. Odenkirk and Yayoi Shionoiri, Columbia Law School, vol. 45, no. 3, 2022, p. 315
• Leonardo, Reimagining Places, Reconstructing Histories: Augmented Reality Art and Heritage Apps as an Ultimate Display, Liron Efrat, MIT Press, vol. 55, no. 4, 2022, pp. 345-350
• Merging Spaces: Augmented Reality, Temporary Public Art, and the Reinvention of Site, Rachel E. Clarke, in Augmented Reality Art, 3rd ed., ed. Vladimir Geroimenko, Springer Series on Cultural Computing, 2022, pp. 129-156
• Scene Shift: U.S. Set Designers in Conversation, Selfish Selflessness, Regina Garcia and Shannon Scrofano in conversation, eds. Maureen Weiss and Sibyl Wickersheimer, Routledge, 2022, p. 128
• Dismantling the Patriarchy, Bit by Bit: Art, Feminism, and Digital Technology, Judith K. Brodsky, Bloomsbury Visual Arts, 2022, pp. 8 and 198, plate 39
• Public Art Dialogue, From Battlegrounds to Liberty Bell: Public Art, Augmented Reality, and the Art of Nancy Baker Cahill, Megan Koza Mitchell, vol. 13, no. 3, Fall 2021
• Shofar: An Interdisciplinary Journal of Jewish Studies, Redressing Power Through Hasidic Drag: Julie Weitz in My Golem as the Great Dominatrix, Hannah Schwadron, Purdue University Press, vol. 39, no. 3, Winter 2021, pp. 181-209
• A Manual for the Display of Interactive New Media Art, Rene Garcia Cepeda, University of Sunderland, v1.0, September 2020
• An Exploration of How Artists Use Immersive Technologies to Promote Inclusivity, Diversity and Deep Public Engagement in Ethical Ways, Fion Gunn, Maureen Kendal and Mehmet Mulla, EVA London 2020: Electronic Visualisation and the Arts, BCS
• Prague Papers on the History of International Relations, The Challenges of Contemporary Art, Aesthetics, and Society within Pandemic 2020, Evelina Tilta, no. 1, 2020, pp. 102-117
• Mixed Reality in Art Education, Regina Back, David A. Plecher, Rainer Wenrich, Birgit Dorner and Gudrun Klinker, Proceedings of the 2019 IEEE Conference on Virtual Reality and 3D User Interfaces, Osaka, 23-27 March 2019
• FOCUS, Journal of the City and Regional Planning Department, California Polytechnic State University San Luis Obispo, no. 16, September 2019